TAMAYOUZ EXCELLENCE AWARD
  • Home
  • Awards and Prizes
    • Tamayouz Lifetime Achievement Award
    • The Rifat Chadirji Prize
    • Dewan Award for Architecture
    • Women in Architecture and Construction Award
    • The Architectural Personality of the Year Prize
    • International Graduation projects award
    • Tamayouz Iraqi Graduation Projects Award
    • Special Recognition
    • Tamayouz Design Challenge
  • Award Ceremony
  • Programmes
    • Tamayouz Talks
    • Design Workshops
    • Scholarships and Internships >
      • Tamayouz Scholarship
      • Dewan Internship Program
    • Tamayouz Archive
  • Tamayouz Judging Panel
  • Our Sponsors
  • About us
    • Our People
    • Media Gallery
  • News & Winners

News by Subject

All
About Us
Media
Press Release

News by Date

January 2021
December 2020
November 2020
October 2020
August 2020
July 2020
June 2020
May 2020
April 2020
March 2020
January 2020
December 2019
November 2019
October 2019
September 2019
August 2019
May 2019
April 2019
March 2019
February 2019
November 2018
October 2018
September 2018
July 2018
April 2018
March 2018
February 2018
January 2018
December 2017
October 2017
September 2017
May 2017
March 2017
February 2017
December 2016
October 2016
September 2016
February 2016
November 2015
October 2015
June 2015
December 2014
November 2014
October 2014
June 2014
April 2014
November 2013
October 2013
September 2013
August 2013
June 2013
May 2013
October 2012
September 2012
August 2012

Meet our finalists: Mohamed Makiya prize 2019 - Waleed Arafa

15/8/2019

1 Comment

 
Picture
Part of our series that introduces our finalists, Egyptian architect Waleed Arafa speaks on his research and design practice, and the role architecture can play in empowering societies. 

Q&A with Waleed Arafa
​

​Egyptian architect and researcher, Waleed Arafa, founder and principal of his practice Dar Arafa Architecture, speaks to Tamayouz about reviving traditional forms of architecture with modern expressions and the role architecture could play in empowering the people of the Middle East. 

Tell us about starting your practice.
After graduating in 2001, I joined Naga Studio Architecture, where principal Tarek Naga ran me through a full reformatting process. My participation in projects like the World Trade Center Memorial Competition in New York, the Giza Pyramids’ Plateau Masterplan and Dubai’s OQYANA left me anew but with a great deal of questions about architecture and its priorities in our world today. I wondered about architecture’s potential role in helping the people of the Middle East better understand themselves and the world, and if it could offer the first step for them to rise and contribute to the prosperity of humanity at large.

The resulting questions compelled me to search for answers in different places, and that’s when I discovered Al-Azhar Mosque’s free courses, which cover logic, Islamic philosophy and other interesting topics. By 2006, my research necessitated that I go out on my own, and Dar Arafa Architecture was born.

As a research, design and build practice, Dar Arafa Architecture’s main aim is to understand the essence of Islamic architecture, which I believe can inspire new approaches. My approach is based on finding ways to continue the discontinued architectural past of countries with an established legacy in the architecture of Islam, especially Egypt, while also looking at how to spark new architecture(s) of Islam in completely new contexts.
I wondered about architecture’s potential role in helping the people of the Middle East better understand themselves and the world, and if it could offer the first step for them to rise and contribute to the prosperity of humanity at large." - Waleed Arafa
Would you say Basuna Mosque was a landmark project for you? Why do you think it gained so much attention? 
Indeed – Basuna Mosque was a landmark project for me in many ways, from the typology to the location, client, timing, and the outcome and direction it brought forth. The feedback I’ve received from people in and outside of architecture often focuses on a few points: the ‘Egyptian-ness’ of the building’s expression, which it achieves without being historicist; its structural innovation, its environmental performance, its response to context, the level of its execution, and its ambience, which is brought about by the synergy between natural lighting, acoustic performance and proportional system and symbolism.

What was the design process for the mosque? What were your main considerations when approaching the project?
I visited and studied the site, and met and listened to members of the community in order to identify their concerns and aspirations. I then studied the architecture, building materials and construction techniques of the village of Basuna and Upper Egypt in general by driving 450km from Cairo to Basuna, and from Luxor to Basuna. I then went back to my drawing table in London and started sketching, drawing manually and playing with Lego blocks until a general direction materialised, and CAD and CAM precision was introduced. Months later, we started construction, but certain design processes were still being explored. For as long as the actual elements were not built yet, evolution remained a possibility.

Basuna is a hot and arid village. The site sits amid a noisy, dusty and densely constructed area with encroaching residential buildings, a cemetery, cattle frequently moving back and forth on the road and a weekly makeshift market that sits right outside the main entrance of the mosque. So I mainly wanted to incorporate low-cost and low-maintenance techniques that would control climate, noise, dust and odours, while identifying and reviving the original architectural and aesthetic character of the village as it would be applied today.

My other concerns were related to sensitively introducing an element of inclusivity, making it the first mosque in the village to welcome women and entertain other activities for Muslims and non-Muslims alike. I was also very concerned with achieving a balance between originality and innovation, and introducing a dignified building that is not imposing.

Can you discuss some of your other projects?
My first solo project was Dar Arafa Residence, a multi-unit residence designed in 2003 and built between 2005 and 2007 for an academic and his family in New Cairo, Egypt. My concern then was to explore ways of breaking the environmental and aesthetic taboos surrounding skeletal concrete in Egypt. I scanned the market for new materials and found a light weight block that helped me reduce the weight of the building by at least 65 percent and improve thermal and acoustic insulation. Also, by virtue of its unusual dimensions, this block allowed for certain aesthetic maneuvers that characterised the building and allowed me to pursue questions related to the identity of contemporary architecture in Egypt. Selecting every participant in the construction process, supervising them closely and sometimes building with my own hands taught me very valuable lessons. I designed the furniture of one of the units too. The project and the recognition it has received – which included a nomination for an Aga Khan Award in 2010 – reconfirmed my faith in the research, design and build approach.

Another project is Dar Al-Latteef Residence, a single-unit villa designed and built in 2011, also in New Cairo, Egypt. Its proximity to the Police Academy imposed a permanent restriction on the maximum building height. The load-bearing-wall system presented itself as the economically viable construction method. I seized the opportunity to explore and expand the potential of traditional Egyptian brick arches, domes and vaults. This was my second load-bearing building, but my first was just a single floor roof top. Dar Al-Latteef consists of a basement, two floors and a roof. The economic turmoil, following the events of 25 January, suspended the project before completion and that is why it stands unfinished till now. It is unfortunate on one count, yet quite fortunate for architecture schools and their students whom we invite for field visits, to explain first-hand architectural lessons on a 1:1 real architectural model.
My other concerns were related to sensitively introducing an element of inclusivity, making [Basuna Mosque] the first mosque in the village to welcome women and entertain other activities for Muslims and non-Muslims alike." - Waleed Arafa
You've been invited to speak at different academic centres, can you share what your lectures have been about? 
These lectures revolve around my architectural, theoretical and hands-on research, design approach and construction findings. I often address topics such as designing contemporary mosques; my ideas concerning the architecture of the future, in Egypt, the Middle East and the world at large; Egyptian identity in architecture; the revival of Islamic architecture; conservation; structural innovation and its integration within architecture; material innovation; construction techniques and sustainability.

Are you working on any new projects?
I am happy to announce that my teammates from SAM Architecture, as well as other French experts, and I have just won a fierce international competition against 59 other teams to design and supervise the construction of the Maison d'Egypte, Cité Internationale Universitaire de Paris in Paris, France. The location of this new project is across the football field of the renowned Le Corbusier building, the Pavilion Suisse, as well as his other famous dormitory, The House of Brazil. This project is slated for completion in 2023.

We are also in the final construction stages of a remodelling project, which consists of two floors (750sqm each) in a 1980s residential building in Cairo, which will host a research institute.

Also on the drawing boards are three other projects: the remodelling and landscape design of a luxury private residence, a new mosque, and a studio and workshop space for an artist in a rural area.

Are you working on anything outside of architecture?
I translate texts from English to Arabic and vice versa. I choose texts that interest me personally. The latest is an Arabic-to-English translation of ‘The Manifest Truth: A refutation of those that manipulate Islam’, authored by the renowned Azhari scholar Dr Usama Al-Azhari who is my best friend, mentor and also the patron of the Basuna Mosque. This translation has been nominated for a prestigious international award. I am also preparing for the translation of Schwaller De Lubicz’s ‘The Temple of Man’, but this is currently pending finance.

Read more about our finalists for the Mohamed Makiya Prize for Architecture 2019 here. 
​

Meet our other finalists: Eric Broug, Syrbanism, Ali Al-Lawati, Arabesque, Benna Habitat, World Monuments Fund, IJIA & Taghlib Abdulhady Al-Waily.
---
Our Meet the Finalists series is a compilation of interviews with those who have been shortlisted for our awards. Waleed Arafa is a finalist for Tamayouz's Middle Eastern Architectural Personality of the Year, also known as the Mohamed Makiya Prize. This architecture award recognizes individuals and organisations that work to advance the field of architecture in the Middle East and North Africa.
1 Comment
Amr
15/8/2019 01:37:07 pm

Wooow 👍👍

Reply



Leave a Reply.

    Subscribe to our newsletter 

Subscribe to Newsletter

Stay in Touch

For sponsorship opportunities, email 
​tamayouz.award@gmail.com
  • Home
  • Awards and Prizes
    • Tamayouz Lifetime Achievement Award
    • The Rifat Chadirji Prize
    • Dewan Award for Architecture
    • Women in Architecture and Construction Award
    • The Architectural Personality of the Year Prize
    • International Graduation projects award
    • Tamayouz Iraqi Graduation Projects Award
    • Special Recognition
    • Tamayouz Design Challenge
  • Award Ceremony
  • Programmes
    • Tamayouz Talks
    • Design Workshops
    • Scholarships and Internships >
      • Tamayouz Scholarship
      • Dewan Internship Program
    • Tamayouz Archive
  • Tamayouz Judging Panel
  • Our Sponsors
  • About us
    • Our People
    • Media Gallery
  • News & Winners